This movie takes place during the premiere of Mozart's Die Zauberfloete (The Magic Flute). Not really depicting his entire life and loves, much of this is fictionalized scatology. Although not without basis in fact, Mozart has attained a somewhat colorful reputation and this is really just more of the same. The music is a joy, but the movie bogs down in titillation. Mozart's last days were lived in poverty and disgrace--stemming chiefly from his embracing of the Freemason stance, which was essentially a heresy in Austria and the rest of Europe at that time. None of this is depicted and even a satyr could not sustain the lifestyle Mozart has been portrayed as having here. Still, this is an interesting movie and worth a listen to.

The Count of Luxembourg is a romantic comedy that takes place in 1900s Paris. The story follows a bohemian count who disguises himself as a commoner in order to pursue his love interest, a beautiful opera singer. As he navigates both the upper-class society and the artistic world of Paris, he learns valuable lessons about love and identity.

Die Fledermaus is a comedic operetta that revolves around themes of infidelity and champagne. Set in 19th-century Vienna, the story follows the hilarious escapades of various characters as they navigate their way through a masquerade ball. With music composed by Strauss, this film is a delightful blend of comedy and music.

Der Rosenkavalier is a comedic romance that revolves around the intricacies of marriage, the power dynamics between men and women, and the beauty of opera. Set in Germany, the story follows the lives of several characters as they navigate love, desire, and societal expectations.

Eine Nacht in Venedig (A Night in Venice) is an operetta in three acts by Johann Strauss II. Its libretto was by F. Zell and Richard Genée based on Le Château Trompette by Eugène Cormon and Richard Genée. The farcical, romantic story involves several cases of mistaken identity. The piece premiered in 1883 in Berlin and then Vienna. It became one of Strauss's three most famous stage works and has been seen in New York, London and elsewhere, and has been adapted for film.