In 1960s Italy, a teenage boy named Lorenzo falls in love with a neglected girlfriend named Aida. While seeking a job, Lorenzo navigates class differences and tries to win Aida's heart. Set in a seaside resort in Parma, Italy, the film explores themes of teenage love, coming-of-age, and the challenges faced by women in society.

The Witches is a 1967 anthology film that explores the lives of women, with a focus on their desires, struggles, and relationships. Set in Austria, the film takes place in a snowy ski chalet and follows various storylines involving neglected wives, bored housewives, widows, prostitutes, and more. Through a series of comedic sketches, the film delves into themes of marriage, infidelity, sexuality, and societal expectations. The stories intertwine in a witty and playful manner, offering a humorous exploration of the female experience.

The story of the Cervi family. Rural farmers brought up to be idealogically opposed to fascism during the era of Mussolini's rule of Italy and World War 2.

Paola, wife of a wealthy Turinese industrialist, meets Alberto, a friend of her husband, who emigrated to Argentina and has returned for business reasons. After a few days, Alberto confesses his love to Paola, but she resists. However, during a vacation in Sardinia, having waited in vain for the arrival of her husband, she gives in to Alberto's wishes.

Sei personaggi in cerca d'autore is an Italian staged filmmaking of the play of the same name, written by Luigi Pirandello about the relationship between authors, their characters and theater practitioners. The story follows six characters: Il Padre (Romolo Valli), la Figliastra (Rossella Falk), la Madre (Elsa Albani), Il Figlio (Piero Sammataro), la bambina (Patrizia Ponzelli) and Il giovinello(Paolo Figna) that invading a essay by a theater company looking for an author.

A classical pianist falls in love with a friend's young daughter.

Absurdism’s king of comedy, Luigi Pirandello, adapted a 1915 short story he wrote titled “Signora Frola and Signor Ponza, Her Son-in-Law” into a play two years later. Right You Are (If You Think Are) was presented in dramatic form as a “A Parable in Three Acts.” As in any instructive parable, the characterization is put fully into the service of delivering the lesson and thus creates mysteries about motivation that remain unresolved by the conclusion.