Part satire, part drama, this movie tells the story of Anton Paulisch (Herb Andress), who has been living and working as an actor in Rome. When he hears that his mother is mortally ill, he returns to Munich to be at her bedside, but doesn't quite make it. He and sister Astrid (Elke Haltaufderheide) rediscover their friendship, though, as they go through a number of crises. Meanwhile, Anton makes an effort to find work in Munich, and runs headlong into the silliness and pretensions of the "New German Cinema" movement.

A mature, rich and bored woman called Elisabeth is taking a ride with the “Rheingold”, a first-class high-speed train of the seventies along the river Rhine. In the train she is meeting her old school mate and lover who is working as a waiter and falls in love with him again. Her husband, a busy politician, realizes what’s going on and tries to catch the train to face his wife and her lover in a fatal showdown.

Andy and Sebastian want to make a lot of money in a quick and easy way. Inspired by the movies, they become private investigators. Their first case happens to be about a beautiful girl called Annabella. But being a private investigator is a more demanding job then Andy and Sebastian had initially thought. Their female acquaintances Annabella, Christa, and Micky also have their share in Andy′s and Sebastian′s problems. The two wannabe detectives become more and more entangled in things that prove to be too much for them.

In 'Nicht fummeln, Liebling', a loser finds himself caught up in a political protest after getting involved with a group of hippies. The film is a satirical take on living in Munich, Germany during the era of new German cinema. With symbolic actions, car chases, and slapstick comedy, it explores themes of love, easy living, and political unrest.

A man wants to buy a house in Lower Saxony and meets a mysterious woman.

John cheats on Jane with Ann. He claims Jane doesn't care about love, and is wrong: in the end Jane shoots John.

Short film by Klaus Lemke