Malina follows the story of a male protagonist who is trapped in an existential crisis and struggles with unhappiness and loneliness. He finds himself in a love relationship with a mentally ill wife, and together they navigate the complexities of their existence and the destructive consequences of their actions.

The Blood Countess and her maid take us on a wild hunt for blood and secrets from times gone by. On their adventurous journey, they desperately search for the precious lifeblood while also uncovering the dark history of their ancestors. But suddenly a mysterious book appears that poses a threat to their vampire kingdom. As they are pursued by their vegetarian nephew, his psychotherapist, two vampirologists and a tenacious police inspector and his assistant, things spiral out of control.

Die Ausgesperrten revolves around an unlikely group of 4 youths in Vienna who band together, each for different reasons, to mug people. Two are fraternal twins, the third a blue-collar worker, the fourth the privileged daughter of wealthy parents who "needs a little dirt in her life". The story provides penetrating insights into the Austria of the 50s, in which some enjoyed the benefits of the "Economic Miracle", while others were shut out. It repeatedly references Austria's Nazi past and the numerous ways in which it influences the present despite the conspiracy of silence which surrounds it.

She is the godmother of performance art. With her shocking public actions she created in the late 60s images that have burned into the general visual memory until today. The life and work of the Austrian artist Valie Export exemplify a development in art history in which women sought and found new ways and means of expression. Her work provides a feminist counterpart to the Viennese actionism of her time, which has influenced numerous artists of subsequent generations. The innovative diversity of her artistic approaches makes Valie Export an icon of 20th century art history.

Two particles wander through space. Two particles? Perhaps they are also two musicians: the first and second violins. An absurd scenario. Voices A and B speak to each other, but they can't hear each other ... Without the words Fukushima or nuclear power being mentioned even once, “Kein Licht. (2011/2012/2017)” depicts a ghostly world after the nuclear disaster. The text by Elfriede Jelinek becomes the libretto of a world premiere musical performance at the Ruhrtriennale. Frenchman Philippe Manoury is composing a new musical theater work for actors, singers and a musical ensemble. The special feature: The music itself also becomes an uncontrollable element. Together with director Nicolas Stemann, Manoury is developing a new form in which pre-composed orchestral and electronic score modules are combined with live electronics that intervene in the modulation of the singers and actors - in real time. Music is verbalized and language is musicalized.

“Writer Elfriede Jelinek has repeatedly made statements about her television-watching habits. She watches a great deal, a wide variety of what is broadcast, though rarely for pleasure or the purpose of gaining knowledge. On the contrary, the TV program is one of her favorite objects of study. Three separate times on a particular day, while sitting in a comfy TV chair, she commented on Austrian TV news for VALIE EXPORT.” – Brigitta Burger-Utzer