The theft of a sacred diamond band from a Hindoo shrine starts the action.

In his career, De Wolf Hopper recited Ernest Lawrence Thayer's "Casey at the Bat" thousands of times. Here, wearing a tuxedo, he emerges from behind a curtain as if at a theater, gives a short introduction, and launches into the poem. The camera is stationary, and although Hopper stands in one place, his hands and arms, his face, and his voice are animated throughout. In delivery, it's a minstrel performance.

DeWolf Hopper thinks he is on the verge of death and a couple of newspapers are bidding for the story rights. One of the newspapers is willing to pay a big sum if Hopper will kick off in time for its last edition of the day. Hopper plays the whole role in bed.

H. Ulysses Watts is a traveling Shakespearean actor whose career is on the decline, as his audiences are more interested in cinema and vaudeville. When the troupe is robbed by Stoner, Watts cares for an injured young trapeze artist.

A modern story of Commedia dell'Arte's Pierrot and Columbine.