In a crime-ridden city, a mysterious vigilante known as The Bat takes to the streets to protect the innocent and deliver justice. With a dark past and impressive fighting skills, The Bat becomes a symbol of hope for the oppressed. As he battles dangerous criminals and uncovers corruption within the city's institutions, The Bat's true identity remains a secret.

Composed of two narrative layers. The first layer includes a visit to the cinema (including a projectionist) and a reflection on their perception and experiencing the projection. The second layer is the projected work, ie film in film. This is based on the structure of the myth: at the beginning we see a tree that seems to refer to the tree (life or knowledge) in Eden. This is followed by a correlation of the images of Michelangelo Buonarroti's The Creation of Adam (1512) and other Renaissance works. The following shots from the Nazi concentration camps, ie the presentation of manifestations of human evil, are then an allegory of the fall of a man who was the result of the original sin in paradise.

The film is about village people, about their love for their land, their honesty in relations.