Contrecoeur is a film using fantastic realism to talk about psychology, drift and love. Three characters must define themselves in an enclosed space, a truck trapped in a snowstorm, and dream of somewhere else to find each other.

The year is 1862. The settings. The Canadian northwest. The lure is gold. Nine men, two women (one of them pregnant), and a young boy begin the odyssey which is to change all their lives. Through jungle-like forests, they look for a trail abandoned 10 years before by explorers and fur-traders. It runs out in a beautiful mountain trap, a box canyon with a waterfall. Left leaderless when death strikes, the vulnerable band must find another route. They decide to descend the mighty Fraser river by raft. Those who survive the great Grand Canyon rapids must continue on foot.

In this Canadian character study, a petty thief steals $5,000 from a marching band and heads to the US with his ditzy girl friend and another couple.

On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.

A paraplegic is determined to rebuild her life on her own.

A pimp and his seven working girls move to a small conservative mining town in northern Quebec to establish a brothel.