Olga and Ruth become friends. Olga is independent, separated from her husband, living with an immigrant pianist, and teaching feminist literature. Ruth is withdrawn, a painter, possibly mentally ill. Ruth dreams in black and white, sometimes of her suicide. Olga lectures on a 19th-century writer, von Günderrode, a suicide after the breakup of her intense friendship with Bettina Brentano. Ruth's husband Franz encourages the women's friendship, then, as Olga draws Ruth out and the friendship deepens, he becomes jealous. After the women travel to Egypt, Franz has a tirade. Ruth seems crushed between her husband and her friend, and how she responds is the film's climax.
The plot in this story weaves around like a New Year's reveler at four in the morning, heading first in one direction and then in another, with the intention of going home if things would just stop moving. Bernard (Gerard Depardieu) is a doctor whose Hippocratic oath was a hypocritic failure -- the not-so-good doctor kills his wife because she is having an affair, and he kills her lover too. Then he joins the French Foreign Legion. On his way to the former French colonies in Africa, the plane he is in crashes, and Rossi, a "friend" on the plane with some overweight in carry-on money, shoots Bernard and takes off, leaving him for dead. He is nursed back to life and health by friendly villagers and just his luck, he not only manages to make his fortune in Africa, he also nabs a French passport from a dying man who will clearly not need it anymore unless the Pearly Gates have a French guard.
This 2-part TV film, adapted from an autobiography, tells the childhood of writer François Cavanna, son of an Italien emigrant and a French mother.
A young man, Jimmy known as “Kisss”, wanders on the bridges of Paris, carrying a sign “for rent”: he offers his services as a companion, in exchange for a can of tin per hour. He meets a young woman, Renée, who then takes him into her home. Both are maintained by Renée's sister, the naive Jacqueline. The latter works as a secretary for a businessman who pursues her with his attentions.
A staging of Eugène Ionesco's play "Exit the King" by Jorge Lavelli.
Set in 1970s Spain, 'Little Girls' tells the story of a group of young girls navigating adolescence, friendship, school, and motherhood. The film explores themes of identity, family relationships, and societal expectations. As the girls embark on their journey of self-discovery, they face challenges such as pregnancy, mental illness, and the pressures of school and society. Through laughter, tears, and heartfelt moments, these little girls learn the true meaning of friendship and the importance of staying true to oneself.
The Venetian performance world is on the alert: an impresario is looking for talent to stage what he defines as the most beautiful opera of his time. Everyone goes there from their pushy little merry-go-round to attract the favors of the character and extricate themselves from misery. But the main interested party hardly seems to be sensitive to these effects.
A staging of Pierre Corneille's play "Horace" by Jean-Pierre Miquel.
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