Hyung-geun and Dong-hwan are pushing twenty. They just want to go somewhere far away and should go somewhere. They even don't know where it is. There are some people who support them. Where they are or what do they do, it is good to be together.

seg.1) Jong-soo misses his roomate Yeong-joo, who is gone. He's embarassed he misses someone who wasn't even his lover, but a close roomate. Meanwhile, Yeong-joo knew this day would come. seg.2) Min-ha is full of vitality. Ki-cheol lives in the greenhouse built by her. They've lived together for almost three years. One day Ji-hye bumps in between them. seg.3) Lovers Yoon and Cheol decide to spend a day up in the mountains. However, Yoon suddenly pours her heart out on all the things she was upset about at Cheol. seg.4) Sang-won is working at an electronics department and having a secret relationship with an elderly woman who is from the store across. As spring approaches Sang-won starts to feel weak. seg.5) One warm afternoon, Min-jae the chef was taking a nap and Ji-hong woke him up. seg.6) Byeong-goo, a former boxer has been caught in a punch-drunk. Byeong-Gu realizes he doesn't have much time life and starts boxing again.

In the era of cinema banned, Tae-hee, Hee-jun, Yong-seok, Hyun-sung, and Hyo-jin arrive at where they have been one day, reminiscing about cinema (in their own ways). They then finally set off on a long journey to meet new cinema.

It is the film in which evocativeness is dancing, evocativeness probably occuring to anyone all of a sudden.