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Ganesh's father is falsely accused of a crime and murdered in prison. Years later, his mother asks him to exact revenge against the culprit.
Bhaktha Prahlada is a mythological drama that depicts the story of Prahlada, a young devotee of Lord Vishnu, who faces many trials and tribulations due to his devotion.
Ethirpaaraathathu narrates the story of star-crossed lovers Sundar (Sivaji Ganesan) and Sumathi (Padmini) in whose house Sundar, a college student, lodges. Both dream of a happy, married life, but that is not to be. Sundar is involved in an air crash and is believed to be dead. However, he survives the crash and loses his eyesight. Unwilling to face his father (Nagaiah), he tries to lead a life on his own. Destiny takes over their lives and the widowed father marries Sumathi and on the wedding night, the husband realises that his son and bride are sweethearts. Broken-hearted, he leaves home and wanders around visiting temples and holy places.
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Chitrapu Narayana Rao
Chitrapu Narayana Rao (born Chithrapu Narayana Murthy 1913) was an Indian film director and producer known for his works in Telugu and Tamil cinema. He received a Certificate of Merit for the Third Best Tamil Film for Edhir Paradhathu (1958) and Annaiyin Aanai (1962). He also won the Nandi Award for the 1967 Telugu film Bhakta Prahlada. He started his film career assisting his younger brother Chitrapu Narasimha Rao in films like Seetha Kalyanam, Sati Tulasi, Mohini Rukhmangadha and Krishna Jarasandha. His directorial debut was Bhakta Markandeya starring Vemuri Gaggayya and Sriranjani.[5] The film had done well establishing him as a director. He subsequently directed many movies like Myravana, Bhakta Prahlada, Daksha Yagnam, Bheeshma in both Telugu and Tamil languages. He has produced the film Krishna Kuchela in 1961. It was a failure and he went into financial problems. During the same period, He wanted to direct a movie for AVM Productions to regain his financial status. They started working on Bhakta Prahlada in 1965, for the first time in Eastman color. It was technically far superior to the Black and White version he made 25 years earlier. D. V. Narasa Raju was the co-writer for the project. The film was a box office success.
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