Level Five is a documentary film from 1997 directed by Chris Marker. It follows Laura, a computer programmer, as she explores the Battle of Okinawa and creates a video game based on the war. The film delves into themes of memory, history, and the impact of war on individuals. Laura becomes consumed by her research and the tragic events of the war, leading to a shocking and tragic conclusion.

Marion is a 14-year-old girl who is on holiday with her family by the sea in Normandy. But she soon comes into conflict with her mother and siblings. There she also meets a man named Marc, to whom she feels attracted, who sees her and desires her. Back in Paris, she visits him again. For the first time in her life, she will make love to him.

Antoine is an accountant, uptight and withdrawn, married to Edith, who picks out his clothes and shoes. He's assigned to a fitness gymnasium for a month to straighten out their books. The owner, M. Roland, encourages Antoine to use the facilities, including the massages, so Antoine goes to Dominique, a muscular African. In these sessions, Antoine discovers that the pain is comforting, and Dominique finds the accountant ideal for his own sadism. When Dominique breaks Antoine's arm and then goes to the hospital to take Antoine away, Antoine confesses his fascination with and fear of death. With Dominique's help, the accountant breaks all earthly ties to confront his fear.

A desktop documentary about the online afterlife of the late French filmmaker, Chris Marker.

Some months after the fall of the Berlin wall, during the time of federal elections in Germany in 1990, Chris Marker shot this passionate documentary, reflecting the state of the place and its spirit with remarkable acuity.

A collection of three short 'haiku videos' by Chris Marker. The first haiku, 'Yanka / Tchaika', shows the river Seine passing under a bridge. A bird in flight stays motionless in the air. The second haiku, 'Owl Gets in Your Eyes', shows Catherine Belkhodja smoking a cigarette while a superimposed shot of an owl in flight fades in and out over her face. The third haiku is a tribute to the Lumière brothers. In an homage to their style, Marker documents an event of daily life in only a minute, choosing to film work on the Petite Centure (a Parisian railway) in May 1994. Due to the work, no train actually passes and we are simply shown desolate train tracks, making the haiku a dry parody of 'L'Arrivée d'un train en gare de La Ciotat'.

Jean is a successful painter who leaves his mistress, though he stops intermittently to phone her with explanations. Sometimes she is responsive but other times hangs up on him. Meanwhile, a 16-year-old male prostitute with whom Jean had a brief homosexual affair stalks the painter.

A cinematic haiku by Chris Marker.

When Éric and Marie go to meet their parents at the harbor for the holidays, the latter are victims of an overnight hit-and-run. Marie hides the truth from Éric, investigates the accident alone, and soon finds the presumed culprit.