In "Harrie Babba," we see Harrie Vermeulen once again in a contemporary absurd comedy of Jon van Eerd's New Genre. In "Harrie Babba," Harrie Vermeulen finds himself in quite a predicament as he emerges from the lamp as a genie. Harrie is tossed back and forth between hilarious misunderstandings and uproarious complications. With his riotous antics, unique timing, and unrivaled humor, Jon van Eerd, as always, manages to blow the roof off the theater.

Harrie Vermeulen is back! Harrie moans and groans when he has to babysit. Trapped amidst teddy bears and little clothes, diapers and wipes, baby food and bibs, he once again turns it into a huge mess. And what if the babies disappear? These comedy evenings with Jon van Eerd, now so familiar, are surpassed by this comedy. He is the undisputed king of humor. Riotously funny, foolish, and heartwarming. Just when you think 'it can't get any crazier,' Harrie swoops in, grabs you by your laughter-lungs, and whisks you away on a carnival of priceless absurdity and uproarious situations. Expect to be short of breath because it's going to be an unforgettable night of laughter!

Harrie Vermeulen (Jon van Eerd) finds himself in a roaring and hilarious whirlwind of chocolate bonbons, barely managing to stay upright amidst the cocoa and swirling powdered sugar. The factory where Harrie Vermeulen works is in a sorry state. But there's good news. If Harrie manages to produce 7,000 boxes of bonbons by six o'clock that evening, a Russian delegation is willing to save the business. Harrie gives it his all, squeezing out one bonbon after another with squeaking and creaking gears. But will he succeed? The machines are heavily outdated and often stop more than they run. In a hysterical whirlpool of confectionery chaos, the most impossible situations arise one after another, ensuring the uproarious laughter that has become so familiar in Jon van Eerd's theaters. You'll never be able to eat a bonbon without a smile again.

Harrie Vermeulen lives with his successful yet naive son. The arrogant secretary of his son wants him gone and tries to match him with an older lady. Harrie doesn't take this lying down and has a better woman in mind for his son. He devises a plan with his friend to make the secretary make mistakes and find a suitable daughter-in-law at the same time. However, this doesn't go without obstacles, especially because the son also has his say!

On the seventh day, there was rest. Until... Harrie walked into paradise! And indeed, Harrie Vermeulen is back again! Once more with a wildly hilarious and uniquely funny comedy. As always, Harrie, with his reckless and frenzied way of doing things, keeps making the wrong decisions. Amidst fluttering butterflies, gracefully colored flowers, and babbling waterfalls, Harrie once again creates a colossal chaos. The fig leaves are too small, and that doesn't bode well for Harrie's ludicrous appearance in Paradise!

Harrie Vermeulen (Jon van Eerd) finds himself in hot water once again in the brand-new comedy "Kantje Boord." As an honest accountant of a large company, he discovers irregularities in the accounting. He immediately decides to inform his boss, who happens to be on his yacht at that moment. Little did he know that with the first steps onto the gangway, he would be swept into a ludicrous rollercoaster of intrigues and complications. Unwillingly, he is forced to twist and turn to keep the yacht and the guests afloat. Harrie must navigate between a vain sailor, a flirtatious sister-in-law, and a snappy hostess with murderous plans. When his boss also tries to saddle him with shady dealings and dump him overboard, things really hit the fan.