In 1969 England, a boarding school is struck by a mysterious epidemic of fainting spells. As the girls struggle to understand and cope with their unexplained blackouts, a deepening sense of anxiety and tension begins to grip the school. Amidst this unsettling atmosphere, a teenager named Lydia embarks on a journey of self-discovery and sexual awakening, challenging the societal norms of the time. With themes of female friendship, mother-daughter relationships, and the exploration of repressed desires, 'The Falling' explores the complexities of adolescent experiences.
Out of Blue (2018) follows a female detective as she unravels the mysterious murder of a renowned astrophysicist. The case leads her into the realms of black holes, stardust, and hallucinations, challenging her perceptions of reality. As she digs deeper, she uncovers long-hidden family secrets and unearths the truth behind the crime.
Carol Morley returns to Manchester, where in the early 1980s, five years of her life were lost in an alcoholic blur. The Alcohol Years is a poetic retrieval of that time, in which rediscovered friends and acquaintances recount tales of her drunken and promiscuous behavior. In Morley’s search for her lost self, conflicting memories and viewpoints weave in and out, revealing a portrait of the city, its pop culture, and the people who lived it.
The growing friendship between two women as they hit the road in an electric car looking for endings and reconciliation.
Dreams of a Life is a documentary film that delves into the life and mysterious death of Joyce Vincent, a black British woman whose body was discovered in her London apartment three years after her death. The film explores Vincent's isolation and the circumstances surrounding her death, as well as her dreams, aspirations, and the impact she had on those who knew her.
Carol Morley's debut short uses the iconography of the genre of melodrama – the staircase, the father – to explore the story of a girl's relationship with her father, and the impossibility of recreating a time, a place, and a memory. Cross-cutting between the girl protagonist and her father, the film creates a sense of crisis and conflict. As the girl invests her feelings in her surroundings and describes events connected to her father, we are drawn into a world of pain and pathos. Morley's first directorial credit was her graduation film from Central St. Martin's School of Art.
A hotel. A cliff. Six lost people, looking for something, or looking to lose themselves.
In the middle ages there was an outbreak of dancing manias in Europe that lasted hundreds of years. In the 20th century thousands of Chinese men and some women thought that their genitalia were vanishing, while schoolgirls in Belgium thought that they were being poisoned by a certain brand of fizzy drink. Looking at these various cases, and more, the professor (Maxine Peake) takes us on a musical journey through mass hysteria.
Maxine Peake stars in a short film about three fears (birds, falling, sleepwalking) - filmed and edited in a single day on a mobile phone for Cinema Now, a digital conference held at BAFTA.
Carol Morley tracks down her old friend Catherine Corcoran and returns to India where they once travelled as teenagers, in this playfully autobiographical short.
Annie wants to find her cat and forget her past. She walks the streets of the East End of London, in the footsteps of Josef Stalin and Mahatma Gandhi. Annie's obsessive journey through local history triggers an unravelling of her own life.
In January 1970 the actor Sir Alec Guinness wrote a letter to The Times complaining about the lack of attention shop assistants gave to customers. The letter was printed under the heading ‘I’m Not Here’. Using that story as its inspiration, this film about shop assistants and boredom wittily combines extracts from a Harrods' training video and original footage from 'Miss London Stores 1970'.
Set in England in 1977, The Week Elvis Died is an evocative and bittersweet look at life from a child's point of view. Karen (Jennifer Williams) aged 10 is bullied at school by Julie and her gang. Her dysfunctional family can't help her and she doesn't confide in them. All she has for comfort are her descant recorder, her pet rabbit Elvis and her adoration of top disc jockey Tony Blackburn.
Based on the filmmaker's collection of newspaper cuttings the film presents private moments that give strange glimpses into everyday life.
Carol Morley's 16mm documentary short is set in a fast food restaurant where a selection of twenty-somethings talk about their troubles. One of two shorts Morley directed as her graduation films from Central St. Martin's School of Art (the other being Girl).
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