Funny Face and The Sandy Duncan Show are two American sitcoms aired by CBS starring Sandy Duncan as part of its 1971 and 1972 fall lineups, respectively. Both series were created and produced by Carl Kleinschmitt. In the spring of 1971, after having appeared in numerous television commercials and having a great success on Broadway in the 1970 revival of The Boy Friend, Sandy Duncan's show business career was quickly ascending. She had just completed her first major motion picture - The Million Dollar Duck for Walt Disney and was about to start on her second film - the screen adaptation of the Neil Simon play Star Spangled Girl which was to be produced and released by Paramount Pictures. Duncan was also signed by Paramount to film a television pilot loosely based on the 1957 film musical Funny Face which they hoped would be picked up by CBS to be part of their 1971–1972 fall television schedule. A pilot was filmed in the spring of 1971 and CBS executives were very enthusiastic. As a result, Duncan was already being touted by the network as the brightest new star of the 1971 fall season.

1st & Ten is a comedy TV show set in the world of American football. It follows the trials and tribulations of a fictional professional football team, the California Bulls. With a mix of on-field action, off-field drama, and hilarious moments, the show provides an entertaining and insightful look into the world of sports.

A businessman is reincarnated as a housekeeper, who works for his widow and son.

A married man is turning forty and that's when the midlife crisis hits ...

A struggling, single mom with a precocious young daughter also has an unpaid mortgage. She falls back on her pool-playing skills to pay off her debts. But just as she plays her way into a big money tournament, a globe-trotting ladies' man threatens to disrupt her life with her daughter and her peace of mind. Suddenly, everything's riding on a single shot.

The adventures of the passengers and crew aboard a luxury liner on a cruise from California to Mexico.

A chauvinistic architect is pressured into hiring a feminist as his assistant, and soon finds himself falling for her.

It's a family affair when a 50-ish police officer is joined by her son on the force.