Streets of Broken Lights is a gripping TV show that follows the lives of detectives and police officers as they navigate through the dark and dangerous underworld of a broken city. With the rise of organized crime and a corrupt militia, they must uncover the truth while fighting against their own demons and the constant threat of betrayal. Based on a novel, this intense series examines the complex relationships and moral dilemmas faced by those who uphold the law in a world filled with darkness.

Set in rural Russia, a group of hunters embark on a misadventurous hunting trip filled with drunkenness, camaraderie, and comical encounters with animals.

The film tells about the misadventures of an ordinary person who happened to have a suitcase with a lot of money... It turns out that it is not at all easy to find a worthy use for such money, and in the final it turns out a simple truth — “happiness is not in money ...”

Sisin, a forty-year-old writer, gets on the train and goes out of town. In the car, he is surrounded by strange passengers, some of whom resemble famous Russian writers: Chekhov, Tolstoy, Dostoevsky, Kuprin... Surreal visions, hidden desires, fears, and anxieties arise in Sisin's imagination. Love, career, and life itself seem stupid and meaningless to him.

Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.