1759, Mauritius Island, Indian Ocean. The island is controlled by French settlers and the deported slave population live in fear while toiling in the sugar cane plantations. Unlike her disillusioned father Massamba, 16-year-old Mati refuses to keep her head down and accept her fate. One night she flees from the plantation, hoping to escape violence and seek freedom in a remote part of the island, where a community of fugitives is said to live. As the plantation owner hires the merciless slave hunter Madame La Victoire and her sons to pursue Mati, Massamba realises the brutal consequences awaiting his daughter if she’s captured. He has no choice but to break his chains and set off on a desperate search for her. As a relentless hunt ensues in the island’s unforgiving jungle, the father and daughter forever break away from the colonial order.

When the Malawas, a quirky family obsessed with soccer, win a travel contest, they embark on a wild journey filled with comical situations and unexpected encounters.

Divines is a coming-of-age story set in a poverty-stricken housing complex in the outskirts of Paris. The film follows Dounia, a French Arab teenager, who dreams of escaping her life of poverty and becoming a dancer. She forms a close friendship with Maimouna, another young girl living in the same area. Together, they get involved in drug trafficking and other criminal activities to make quick money. As Dounia's obsession with dancing grows, she becomes entwined in a dangerous and violent world, risking everything she holds dear.

Dheepan, a Tamil warrior, escapes the Sri Lankan civil war and poses as a caretaker in France along with a woman and a little girl, pretending to be his wife and daughter. They face challenges in a dangerous neighborhood, navigating the language barrier, and dealing with the trauma of war. As they try to build a new life, they find themselves caught in a web of drug gang violence.

When a French-African couple adopts a baby, they face challenges and prejudices as they navigate the adoption process and raising a child.

Damien is a pawn in a primary school, and leads a quiet life. To rescue one of his young students, Bahzad, and his mother from imminent expulsion from the land, Damien reconnects with his parents' militant past and convinces his sister Mélanie, who has become a formidable business lawyer, her best friend Rudy and a bunch of unlikely pals to accompany him in his new fight. Together, they will break the law by solidarity. And very quickly to be completely exceeded.

When Sali and Paul Aloka, a Black couple, adopted Benjamin, their white son, they knew they were heading into unchartered territory, right until the day Benjamin announces he wants to meet his birth parents.

Lost in Paris, Cléo is looking for Paul and Paul is looking for Cléo. A poetic adventure lived in 3-year-old kids' shoes.

Yacine is in his 30s, of Algerian origins, and has come to Paris looking for inner peace. A playful and poetic quest leads him via all kinds of strange encounters to an increasingly surrealist world and to Andalusia: a state of mind.

After trying a job as a stripper in a Barcelona carnival, Eva (Aure Attika) is ready for something new, so she heads over to France and becomes the roommate of a gay American artist (Phillip Bartlett) and works as the housewife for two wealthy older homosexuals (Claude Chabrol and Jean-François Balmer. After she gets settled, she takes a job at a government office for a while but then decides to have a child, which her obliging roommate makes with her the old fashioned way. He then returns to his usual preference, while Eva explores becoming an artist herself. From time to time in this easygoing comedy, Eva's similarly independent and quirky mother (Bernadette Lafont) shows up.

Malik & Franck are dustbin men. They have just accomplished their dream: buy a pizza van, to at least be their own boss.

El Hadj is studying in Paris. He is one of the young Senegalese men who have come to Paris since the French colony became independent to get a good education so that he can serve his fatherland on his return. Unexpectedly he is suddenly confronted by a problem with his residence papers, just because he has arranged an extension too late. His pleasant life filled with good prospects has gone in one fell swoop. He faces a dilemma. He can stay illegally in France, the country where he feels at home, where he has his friends, has fallen in love and can drink water from the tap. Or he can return (without graduating) to the 3rd-world country of Senegal to use the knowledge he has acquired. It is not only a practical choice. It comes down to the question of who he is, who he thought he could be.

A woman living in the projects decides to run for mayor. At first she is taken as a joke but slowly picks up steam and is taken serious.

Sophie Blondy directs this romantic drama hailing from France. Babeth is a struggling actor and part-time assistant teacher unhappily involved with downbeat artist Remi. Meanwhile, Arthur longs for the comely Babeth. He picks up his numerous girlfriends while discussing sex, love, and the meaning of life.

Monsters fight with each other in a dystopian world, playing out the revenge of their human breeders.

Cour interdite is about drugs, naïve dreams, and the demise of values. A young Arab from the Paris suburbs, where poverty, unemployment and drugs are very much the reality, Djamel Ouahab saw many people around him dying, which led him to this project that took seven years to complete. The director plays a drug dealer who takes care of his family, protects his mother, and tries to shield his little brother from the drugs around him. He also has to help an addicted friend to quit his habit. Just when we think that he might be successful, reality hits him in the face. The message is that you can't escape drugs with drug money. Cour interdite chronicles the drug dealer's descent into hell. It is a realistic film with poetic dimensions. Ouahab tries to show the world of drug addicts but also the human side of the dealer.