Stimulantia is a 1967 Swedish anthology film comprising eight episodes by eight different directors including Ingmar Bergman, Jörn Donner, Gustaf Molander and Vilgot Sjöman and starring among others Ingrid Bergman, Harriet Andersson, Gunnar Björnstrand, Lars Ekborg and Inga Landgré.

In Vienna's Musikverein, Leonard Bernstein and the Vienna Philharmonic celebrates Ludwig Van Beethoven's 200th birthday with a joyful performance of his Piano Concerto No. 1 in C Major. Maestro Bernstein conducts the orchestra from the keyboard in this historic concert.

Nobel Laureate Harry Martinson's famous poem consists of 103 cantos and relates the tragedy of a space ship which, originally bound for Mars with a cargo of colonists from the ravaged Earth, is ejected from the solar system after an accident and into an existential struggle.

The hunter Atis and the priestess Camilla fall in love. However, Camilla is bound by a vow of chastity that she made to the goddess Diana.

This set was recorded in the late 1960s to early 1970s. Herbert von Karajan is widely acknowledged to be one of the finest conductors of the 20th century, and around 1970 he was at his peak.

From the euphoric first to the solemn sixth, the Brandenburg Concertos features some of Bach's finest and most popular orchestral music. Münchener Bach-Orchester ; Karl Richter, conductor and harpsichord. Recorded Apr. 1-10, 1970, Schloss Schleissheim No. 1 in F major, BWV 1046 -- No. 2 in F major, BWV 1047 -- No. 3 in G major, BWV 1048 -- No. 4 in G major, BWV 1049 -- No. 5 in D major, BWV 1050 -- No. 6 in B flat major, BWV 1051. Apr. 1-10, 1970. Orchestra: Münchener Bach-Orchester - Conductor: Karl Richter - Violin: Otto Büchner - Trumpet: Pierre Thibaud - Recorder: Hans-Martin Linde - Recorder: Günter Höller - Oboe: Manfred Clement - Flute: Paul Meisen - Viola: Herbert Blendinger - Viola: Ingo Sinnhoffer - Viola Da Gamba: Hans Dieter Kruse - Viola Da Gamba: Oswald Uhl - Cello: Peter Steiner - Double Bass: Franz Ortner

Performed like a series of vaudeville scenes that overlap, Antic Meet consists of ten playful and comedic numbers. The curtains opened with Cunningham moving among the other dancers as a clown-like figure "who falls in love with a society whose rules he doesn't know," and concludes much in the same way, as he attempts to keep up with the dancers, each with their own movements, as they dance diagonally across the stage. Cage provided the musical accompaniment, using a version of Concert for Piano and Orchestra, and Rauschenberg designed the costumes, which included fur coats and parachute dresses over black leotards.

Karl Richter leads Gundula Janowitz and Hermann Prey in Bach’s monumental B minor Mass The work was filmed in the splendid Baroque abbey church of Diessen in Bavaria, which dates from Bach's time. Messe in h-moll Mass in B minor BWV 232 Gundula Janowitz · Hertha Töpper Horst R. Laubenthal · Hermann Prey Münchener Bach-Chor Münchener Bach-Orchester Karl Richter Directed by Arne Arnbom

A comprehensive portrait of one of the 20th century's most brilliant and charismatic conductors working with three great orchestras: The Berlin Philharmonic, the Concertgebouw Orchestra of Amsterdam and the Vienna Philharmonic, performing works by Beethoven, Mozart and Bruckner. Kubelik didn't arrive on the podium trailing clouds of glory like von Karajan or Leonard Bernstein. He seemed to just appear there, shyly and without fanfare. His 'bed hair' curling outward, making his head look like the letter w. His appearance and demeanor suggested that a timid, tentative performance was likely. Then he'd rip into a taut and crisp Eroica or an effervescent, crystalline Prague Symphony.

A multi-media event with choreographed dance, mobile decor, variable lighting, multiple film projection, and live-electronic music activated by the dancers' movements.

Paradoxically described by Walter Sorell as "a tender lullaby of love" and by Richard Buckle as "cold and menacing, the courtship of the Macbeths," Night Wandering is a duet reminiscent of snowy landscapes. Cernovitch designed the original costumes: fur tunics that Cunningham wore over trousers, and Brown wore over tights. Continuing with the piece's Nordic theme, the music by Bo Nilsson was characterized by bursts of activity followed by moments of silence, evoking the feeling of traveling through the spacious, and seemingly endless Northern night.