The film is a recollection of an adult about the unforgettable days of the first post-war year. Klava, who lost her husband at the front, with her 12-year-old daughter Lyusya sheltered Aygul with a seven-year-old boy in her house. Aygul's son - the main character, now became a pilot, recalls his childhood in a small Kazakh city, which fell on a difficult post-war time. Flying high above the Earth, he thinks of the Russian girl Lyusya, from his distant past.
1918. "I don't know," he said. Commissar Tokhtar Baitenov leads a detachment of Chekists, which is not numerous. The story of the film unfolds quickly, it is a typical "Ostern" — an oriental action movie: shooting, chase, dancing of beautiful girls, but at the same time, along the film line, there is a smell of mysterious gossip and repression with characters.
Fate did not particularly favor old Myrzagali, and he did not like people. But he cherished his white camel, Ariana, and doted on her. And when he got sick and went to the hospital, Ariana cut the veins of her eyes so that she would accept a local male and no longer look towards the white mountains. After giving birth, Ariana finally went blind. And when the little camel got stronger, she ran with him towards the wind. Myrzagali did not restrain the animals...
Lady Zhibek, a legendary figure from Kazakhstan, faces hardships and sacrifices in a world guided by myths, legends, and folklore. The movie portrays her journey through love, tragedy, and ultimately, an act of self-sacrifice.
A film epic about the class struggle in a small fishing village on the shore of the Aral sea, about the revolutionary events that stirred up the steppe region. The civil war in the steppes of the Aral sea region is a concrete historical background on which the life of the heroes — Aral fishermen and nomadic pastoralists-unfolds. Three dramatic fates, three characters in the center of the story: the poor farmhand Elaman, who became the leader of the masses awakened by the revolution, Bai Tanibergen, the owner of the steppe, and the beautiful Akbala. Their relationship is not a banal "love triangle", it is a drama that reflects the complexity of the processes that took place in the pre-revolutionary period and during the revolution.
Old Kozhabek is going through grief — his son Sultan was killed in a car accident. After a while, Kozhabek finds out that he has a grandson. The hero goes to the city to find a boy and a woman, to whom he is ready to atone for his son's guilt.
Bai Nurtaza hopes to find in the young poet, ambitious and not indifferent to female beauty, a loyal ally in the fight against the Soviet government. Taking advantage of Musa's weakness, unable to resist temptations, he completely subordinates him to his influence...
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