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Thief or Reality
Movie

Thief or Reality(2001)

6.8
79Minutes

An experimental-allegorical film. Three different people: a sculptress of funereal monuments, an actor preparing for Sophocles’ Antigone, and a mother who has lost her child, experience three different versions of reality - with a fourth character, a thief, providing the connecting link.

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121280 Ritual
Movie

121280 Ritual(2008)

16Minutes

Shot in 1980 and finished in 2008, 121280 Ritual uses heavy breathing, incantatory chanting, and repetition to ritualize the pregnant body.

Topos
Movie

Topos(1985)

7
77Minutes

During its 85-minute running time, this jarring experimental film takes a no-holds-barred look at the way women have been treated and depicted in Western art.

Variations on the Same Theme
Movie

Variations on the Same Theme(1977)

7.1
60Minutes

In Variations, Angelidi creatively activates her knowledge of the history of the cinematic image and connects it to a global artistic language of an alternative, poetic cinema, while still preserving the peculiarities of her own tradition and, especially, her personal concerns. Angelidi -who appeared with the film Idees Fixes - Dies Irae (Variations on the Same Theme) in 1977 is classified among the filmmakers who emerged in the seventies with films that were "different", from an aesthetic viewpoint, and who proposed "another" kind of narrative

The Hours: A Square Film
Movie

The Hours: A Square Film(1995)

7.5
85Minutes

The Hours: A Square Film is an emotional drama that delves into the lives of three women from different time periods - Virginia Woolf in the 1920s, Laura Brown in the 1940s, and Clarissa Vaughan in the 1990s. As the film unfolds, their stories intertwine, highlighting the theme of finding one's identity and struggling with societal expectations.

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Noon Hour
Movie

Noon Hour

31Minutes

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Antoinetta Angelidi

Greek, challenging and highly experimental film-maker that uses any and all forms of art to deliver the most challenging and unusual films she can make. From surrealism, to dance, performance-art, theatrics, structural film, philology, poetry, tableaux-vivant, concept-art, etc. Her output is low but each film achieves, or tries to achieve, something radically new with a new language for film. Recurring themes include feminism, death as a springboard for meaning and the inner life of characters expressed using all of the above methods. Aesthetically, she carefully controls every detail of her films, using artificial sets to set up the best possible delivery for her ideas, while also creating beautiful moving paintings.

Antoinetta Angelidi
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