Lorenz Meran, a successful gay author suffering acute writers' block, has to leave Berlin and return to eastern Switzerland to provide care for his aged mother, Rosie. But it is not only his mother's battle against being dictated to and losing her dignity that he is struggling with. It's also his own midlife crisis.
Although a lowlander, Marco is a robust fellow. He is now working as a farmhand for mountain farmer Alois in a remote Swiss alpine village and, even at the regulars’ table at the local inn, people are slowly learning to appreciate this iced tea drinker. Anna is a local village girl; she has a daughter, Julia, from a previous relationship. Some doubt whether this new relationship will work out – but not Marco or Anna. They get married. Their love is gentle and beautiful; unable to fully fathom it, they express it in simple words. The trust between them grows and their tenderness endures; the happiness they feel at every touch is only surpassed by the warmth of stroking a cow. But soon Marco seems to be losing control of his impulses more and more often.
Amidst the preparations for her 35th wedding anniversary, Meredith is surprised by the discovery that she is HIV-positive. Only her husband André could have been the carrier of the virus.
A Swiss headmistress and politician deals with her son's radical attitude.
Princess (2021) is a gripping movie that explores the devastating effects of alcoholism. It delves into the complex relationship between a mother struggling with addiction and her daughter, who strives to understand and support her. The film portrays the challenges, heartbreak, and ultimately the strength found in the bond between a parent and child. With compelling performances and a thought-provoking narrative, Princess is a must-watch for anyone interested in exploring the human experience.
Six sisters live together with their grandmother in a house in Zurich. They are all preoccupied with their own lives. One summer a quiet boarder and the return of the oldest sister disrupt the usual family order, triggering a battle against the rigidity of former roles.
Tom visits his parents with his girlfriend to break important news. But his father has set different aims for his son, so the afternoon comes to an unexpected end.
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