Goodbye Berlin is a coming-of-age road movie that follows a 14-year-old boy on a summer holiday in Berlin. With his alcoholic mother and bisexuality as his struggles, he embarks on a road trip adventure with his friend, stealing a car and falling in love along the way. The journey takes them through junkyards, memories, and tough situations, exploring themes of friendship, family, and loss of innocence. Can they find themselves and make peace with their past? Find out in this heartwarming and bittersweet film set in Berlin, Germany.

In the sweltering heat of a summer in Berlin, a 14-year-old girl named Lisa experiences her first love and sexual awakening. As her alcoholic mother struggles with her own issues, Lisa navigates friendships, jealousy, and the discovery of her own desires. Through the backdrop of a heatwave, Lisa's journey towards self-discovery unfolds.

Thomas Brasch was born as a German-Jewish emigrant in England in order to move to the young GDR with his family at the beginning of the 1950s. His father Horst is primarily interested in helping to build the new German state. But Thomas prefers to realize himself as a writer and in doing so discovers his potential as a poetic rebel. His very first play was banned and soon afterwards he lost his place at the film school. When the tanks of the Soviet Union roll through the Czech capital Prague in 1968, Brasch and his girlfriend Sanda and other students try to call for protest in the streets of Berlin - and fail. His own father betrays him to the Stasi and allows Thomas to go to prison. After being paroled, he continues to try his hand at poet writing about love, revolt and death. In the GDR, however, you don't want to have anything to do with someone like him.

All summer long, a group of people circumnavigate each other. A group of people who are so close and yet so alienated from one another. Their isolated holiday home is the site for a resurgence of smouldering conflicts and lifelong illusions that threaten to wreck the family’s fragile unity forever.

When Ulja (12) is prevented from pursuing her passion, astronomy, she decides to take matters into her own hands. With a stolen hearse and a 13-year-old classmate as a driver, she makes her way across Eastern Europe to watch the impact of an asteroid. In doing so, she not only has to shake off her persecutors, but also her pragmatic view of friendship and family.

Two brothers grow up in the Saxon province (part of Germany) at the turn of the millennium, where the dream of family happiness in a new house quickly turns into a nightmare of decay, violence and xenophobia as they desperately search for stability and belonging.

"Kruso" tells of the last summer before the Wall came down on the small island of Hiddensee in the Baltic Sea. Beyond state-organized tourism, the isolated island became a kind of artist colony every year and a place of longing for dropouts and alternatives. Due to its proximity to Denmark, Hiddensee was also the starting point for the flight across the Baltic Sea.

With their two grown children gone, Anja and Michael Wagner move into their own apartment in the city center. Both are looking forward to their newfound freedom. But when Niklas, their youngest child, is kicked out of his roommate's apartment, he decides to move in with them and his girlfriend.

Four troubled friends who despite the feeling that they live standardized lives share a flat under the sceptical looks of their neighbours.

Germany, late 90s: Johanna is an intern at a local newspaper and is struggling with the death of her grandmother. In addition to her grief, she is burdened by conflict with her family after she angrily confronts her uncle, who is only interested in his inheritance, at the funeral. She seeks balance by throwing herself headlong into her work. In the process, she comes across an old photograph of a concentration camp guard named Anneliese Deckert. With this find, she hopes to advance her journalistic career: Johanna tracks down the now 80-year-old, but does not expect to meet her entire family on the spot, nor does she expect the fuss the photo causes.

After her daughter's fatal accident at a busy intersection, Jenni is confronted with videos on the web of Mia dying. Instead of helping, passersby were filming with their cell phones. The horrific images won't let Jenni go. Horror and rage at the gawkers' pitiless curiosity take her completely captive. There is hardly any room for her grief; instead, she obsessively searches for the accident spectators in order to confront them with the consequences of their sensationalism. She finds what she's looking for – but her first encounters don't help her. No one seems aware of any wrongdoing, or capable of admitting it. Supported by a tough lawyer, Jenni decides to take action against the sensationalists.