Based on the Fyodor Dostoevsky novel about a young woman who leaves her family to live with her lover whose father dead set on keeping them apart.

Kira Georgievna is a famous sculptor. She has a loving husband, friends, and fans. She seems quite happy. But one day the past breaks into Kira's well-adjusted life: Vadim, her first husband, appears. In '37, he was repressed and spent 20 years in camps.

In the center of the painting is the story of the artist Troshcheikin, his wife Lyuba, her mother and sister. They live abroad, in a provincial small town populated by compatriots. The unexpected return to the city of a certain Barbashin turns the life of the family upside down. Five years ago, in a fit of jealousy, this man shot at Troshcheikin and his wife, wounded them and, after going to prison for six years, promised to return and finish what he started…

Taking advantage of his intellectual superiority, the teenager Valya Uspensky subtly and mercilessly takes revenge on others for small and big offenses. The young mathematics teacher Igor Aleksandrovich also falls into the field of his interests, whose intelligence and tact will properly influence the guy. But the young intellectual will suffer a crushing defeat in the seemingly ordinary everyday situation, which will be set up for him by his sweet, pretty classmate Ira - if only in order to once and for all teach the narcissistic jester a lesson.

The main and only heroine of the film is an actress. The screen shows her confession, filmed with a subjective camera. Anna leaves her husband, then meets another person, who, according to the plot, is her interlocutor. He — and with him the audience — will have to hear the love story of Anna and her relationship with her husband; get in touch with the subtle and complex inner world of a woman trying to find spiritual harmony. We will not see Anna's interlocutor on the screen, the camera acts in his role...