The omnibus feature SUCESOS INTERVENIDOS consists of shorts by a who’s who of Argentine documentary and experimental-film giants, including Edgardo Cozarinsky and Gustavo Fontán but also Claudio Caldini, Andrés Di Tella and Gabriela Golder. Each one of them created a piece of a few minutes in length using archival footage from SUCESOS ARGENTINOS (“Argentine Events”), a popular newsreel series from 1938 to 1972 whose episodes have recently begun to be digitized by Buenos Aires’s “Pablo C. Ducrós Hicken” Film Museum.

The film explores the struggles and consequences of living under a military dictatorship, highlighting the challenges faced by those who seek to remember and confront the painful past.

In 1978, the militant Tulio Valenzuela was kidnapped in Argentina, along with his partner Raquel ─pregnant─ and their little son. At that moment, General Galtieri proposes that they save their lives in exchange for traveling to Mexico and handing over the leadership of the Montoneros. There, Tulio escapes and denounces the Argentine military. He knows that with this fact, Raquel will have a tragic end.

Documentary about the life of six sons of disappeared parents during argentine dictatorship between 1976 and 1983.

A documentary on the life and work of Swedish/Argentinean photojournalist Leonardo Henrichsen (1940-1973), a known international news cameraman whose final image shot was his own death on the hands of a soldier, while capturing images from an attempted military coup in Chile on June, 1973.

The axis of the film is the construction of memory: where, finally, are the memories lodged? From that interrogation, the director and protagonist assembles and disassembles a story where his children and his father appear to confirm that his memory is also the memory of a descendant that does not forget the past. (Marcela Gamberini)

Two somewhat anachronistic passions occur in the days of Arturo “Tucho” Lazlo: the music from the vast collection of vinyls that rotate on his record player and the paintings that he makes in a collective workshop. The first passion seems logical considering Tucho's current condition: blindness. Painting, on the other hand, is not a task that can be easy for you; on the contrary, it is a challenge taken frame by frame that allows her to relate to the visual universe that a tragic decision has strictly denied her. This film-portrait follows Tucho's daily experiences in his connection with the world, from his art to his discomfort, with a present that evokes a macabre past in the foreground. Without detours and without blurring the specific weight of everyday moments, Andrés Hebegger manages to register the tension and rest, sadness and hope, the banality and genius of Tucho's world, without ever being condescending or mellow, always looking for distance fair.