During the turbulent times of war, a young woman's journey leads her to discover the true meaning of freedom and the power of the human spirit.

Chaowa Pawa is a heartwarming comedy-drama film that follows the story of a wealthy father and his daughter. The film explores the complexities of their relationship and the challenges they face as they navigate through life. With themes of love, wealth, and family dynamics, Chaowa Pawa is a must-watch for those seeking an engaging and emotional storyline.

Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute. All Indian prints of this Bengali version were destroyed in a fire that ravaged New Theatre’s studios. Today, only one copy of the film survives which belongs to the Bangladesh Film Archives. Of that copy almost forty percent is destroyed.

Punarjanma is a Bengali drama film released in 1932 and directed by Premankur Atarthi.

Shudhu Ekti Bachhar is a romantic comedy that is based on a comical situation which finds the female protagonist having to marry a complete stranger according to her father's will. The stranger she is to be married is a funny boy whom she is at cross ends with. The story goes on with this baseline, that they agree to stay married for a year and the comedy rolls on there forth. There are many quarrels, misunderstandings and childlike fights, which all add to the comical content of the movie. All characters add life to the story with hilarious punch-lines and comical episodes. And in the end the two main leads falling in love with each other and living happily ever after.

Shap Mochan is a romantic movie set in 1955 that explores the love story between two individuals.

Mriter Marte Agaman is a comedy-drama movie released in 1959. The story revolves around the life of a group of people and their struggles, joys, and conflicts. It is a heartwarming tale that combines elements of comedy and drama to portray the complexities of human relationships.

In the midst of economic hardship, a young couple must navigate the complexities of love, ambition, and societal pressure. As they struggle with their own desires and sacrifices, they learn the true meaning of give and take.

Classic celebration of Mithila's King Shiva Singha's (Bannerjee/Kapoor) love for his wife while chronicling the influence of the pacifist court poet Bidyapati (Sanyal). Invited to the royal court by the king, Bidyapati arrives with his faithful follower Anuradha (Kanan Devi). Queen Laxmi (Chhaya Devi) falls in love with the poet, much to the distress of the king. The king falls ill and starts neglecting his royal duties until Anuradha persuades him that true love does not need reciprocation. The queen, equally distressed by her divided loyalties, contemplates suicide, encouraged by the prime minister who is worried by the nefarious impact of Bidyapati's poetry on the king.

Lalu and Chinta are neighbours and extremely good friends. One morning both of die and reach hell. However Yandyut exclaims that there was a mistake and that they were not the individuals he intended to kill. He orders Lalu and Chinta to be sent back to the earth but the latter claim for a tour of hell as compensation. Soon the friends find themselves back on earth but soon realize that their souls have been exchanges in error. This leads to a series of confusion of themselves as well as their near and dear ones. In the end their souls come back to themselves and there is no bound to their happiness, much to the amusement of the rest who did not know why they were so happy.

The poor but educated Mahim and his childhood friend, the rich but conservative Suresh, both fall in love with the same woman, the liberated Achala. Mahim marries her and they move to a village but she cannot forget Suresh. Her smoldering unhappiness takes the form of resentment towards the orphaned Mrinal, raised by Mahim's father, and receives a dramatic visual embodiment when their house burns down. Mahim falls ill, is rescued by Suresh, and nursed back to health by Achala. On a train (a metaphor for the irreversibly linear course of life) to a health resort where Mahim is supposed to convalesce, Suresh on a rainswept night gives in to temptation and elopes with Achala. At the end of the film, there is a dubious reconciliation as Achala is shown following Mahim's 'good' traditionalism with Sharatchandra's barely concealed hostility towards Achala's liberated Brahmo Samaj upbringing.

A famous Saigal musical narrating a strange love story set against 1930s industrialization and worker-management relations. The 16-year-old Prabhavati inherits a mill and turns it into an extremely profitable enterprise. Prakash is a worker who designs a more efficient machine for the factory for which he first gets sacked and then is re-employed. He falls in love with Prabhavati's sister Sheila, who later makes way for Prabhavati who is also in love with Prakash. Her withdrawal distresses Prakash, causing him to bully the workers who then go on strike.

A 1947 Bengali Film directed by Premendra Mitra.

This film is about Chandidas, a legendary 15th-C. Bengali Vaishnavite poet whose biography remains obscure but was an influence on the better documented Chaitanya (1486-1533), a school teacher who promoted the Vaishnavite ideology in Bengal, mostly through hymns about the Radha-Krishna legend.

Andhare Alo is a 1957 Bengali movie by Haridas Bhattacharya