Facts is a dramatization of a massacre in a Lithuanian village during World War II when Nazis rounded up over 100 men, women, and children accused of partisan activity and then torched the houses in which they were held. Using Russian interrogations of a few survivors, the testimony of villagers, and some of the Germans responsible for the killing, the film gradually reconstructs the event and its context.

In the midst of the Vietnam War, a young soldier falls in love with a local woman, creating a whirlwind of emotions, challenges, and heartbreak.

A film about the psychological crisis of a woman in her 40s as she tries to create the illusion of love - looking for herself in love and love in herself.

Story about artist caught up in summer love triangle.

During a weekend getaway, a group of friends find themselves trapped in a war zone, where they must fight for their survival.

Film - Reflection. The characters are the people who survived the war, the horror of the fascist concentration camps and the danger of suffocation, as well as those whose parents past is known only theoretically

The centerpiece of A. Grikevicius's film is Tomas Petreikis, the chief engineer of the machine factory in Kaunas F. Dzeržinskis. Rather than creating a regular, conjunctural narrative about the hero of socialist work that exceeds production norms, the director captures another personality of his film's hero. After work, Tom is an entertaining dancer, teacher and contest judge. "Construction and dancing? No, they don't not have any relation," T. Petreikis answers the question posed by the journalist. However, the film observes the parallels that reveal the precision of the constructor-dancer, the perfection of the goal, both by controlling the work of the machine tools and by teaching pairs of dancers to rotate on the parquet, imply another answer.

Alyoshin, a Soviet journalist working in Argentina, witnessed the kidnapping of photo correspondent.

The main hero of this film is the city of Vilnius. Vilnius is also a metaphor for the historicity of Lithuania. However, this film is unique not only for its cinematographic historical reflections on the statehood of Lithuania; it also reveals the history of cinema, encompassing both Soviet montage techniques and the first traces of cinéma-vérité in Lithuanian cinema.

When Vytautas Kalinauskas, who has already created his famous illustrations for Goethe's Faust and Dante's Divine Comedy, was asked what he considered himself to be - a graphic artist, a set designer or a film artist - he answered simply: an artist. He was artistic, elegant, intellectual. According to the art critic Algimantas Patašius, he was "an aristocrat without a coat of arms" who became a sworn aesthetic dissident.