In St. Petersburg, behind the Narva outpost, there is great excitement - the revolutionary Nechaev has appeared, who will incite the workers to fight. Neither the policeman, nor the policeman, nor the owner of the tavern - no one knows what he looks like. But everyone is determined to catch him.
A little girl takes in a German Shepherd puppy and the dog grows up to be her and her family's best friend.
Leonid Pleshcheyev returned from the war blind. Against his will, he became a dependent. He drowns his grief in unrestrained drunkenness, thereby tormenting his wife Mariya and his teenage son Lyonka. Mariya finally decides to take her son and leave for Altai, but the boy runs away and returns to his father. So, together, they eke out a half-miserable existence until Grigoriy Shalagin, Pleshcheyev's longtime friend, returns from the army. It is he who awakens in Leonid the extinct self-esteem and pride of a soldier. Pity aside, he helps him get back to work.
After the end of WWII engineer Lobanov is trying to introduce the invention he made together with his friend during the war.
Former front-line intelligence officer, captain Nikolai Mityasov, after being wounded, returns to the destroyed city and learns the sad news: his wife Shura cheated on him. Bitterness and confusion gave way to hope. But peace has come, demobilization has begun, it is necessary to restore the homeland. Nikolai finds the strength to continue living, enters a construction institute, meets Valya and begins a new happy life without war...
Katerina Izmailova is a filmization of Dmitry Shostakovich's long-suppressed 1936 opera. Galina Vishnevskaya stars as Katerina, a bored 19th century farm wife. At the behest of her grungy lover, Katerina murders her husband and her father-in-law. She and her new beau are both sent to Siberia, where the lover almost immediately takes up with a younger woman. Banned by Stalin for its bleak portrait of Soviet life, Katerina Izmailova was not given a Russian staging for over 40 years; its Metropolitan Opera debut did not occur until 1994. Dmitri Shostakovich also wrote the screenplay for the screen version of Katerina Izmailova.
A story about young pioneers life in USSR right after a victory in WWII.
In the family of the driver Skvortsov on one of the outskirts of Moscow growing son Andrew, the future designer of high-speed firearms, but for now — inquisitive and hard-working boy, dreaming of studying. Ahead of the revolution and the Great Patriotic war…
A Day of Sun and Rain is a heartwarming family movie that follows the story of a teenager as he navigates the complexities of love and grapples with the pain of loss. Through moments of joy and sorrow, he learns important lessons about life and the power of family.
Пучина is a thought-provoking movie adapted from a play. It explores the depths of human emotions and the consequences of life choices.
In "Dead Souls" Gogol posed the most pressing and painful questions of modern life. The very title of the poem had enormous revealing power; it carried, according to Herzen, “something terrifying”, “he could not name it otherwise; not the revisionists - dead souls, but all these Nozdryovs. Manilovs and all those like them are dead souls, and we meet them at every step..."
A literature teacher struggles with a faulty stove, with a village major being called to assist.
Anna loses her son and husband to war. Her grief-stricken life undergoes a sudden change when three children, tasked with helping the elderly in the city, begin visiting her.
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