The film was produced as a compilation film. Blum reported in “Film-Kurier“ (5.11.1928): "It will be assembled from excerpts of partly unpublished Ukrainian films. […] Some American footage has also been used. To get material as impressive as possible, a number of films, 0-60, have been viewed." Based on ideas by Dziga Vertov, and largely assembled from the last reel of his film 'The Eleventh Year', this compilation presents an explicit critique of the very technology that Vertov sought to praise, stressing the dark side of industrialization—hands mangled in workplace accidents, train wrecks, coffins—and connects to a particularly German concern with the negative effects of technology stretching from the Romantics to Heidegger, Horkheimer, and Adorno in the twentieth century.

Documentary about the "Kampfgemeinschaft für Rote Sporteinheit", a communist workers' sports association in the final phase of the Weimar Republic.

Documentary about social division in Berlin.

Artful documentary about the use of our hands.

A poetic collage of the various forms taken by the element of water. The film explores water’s vital importance and its never-ending motion. Lyrical scenes of wild mountain landscapes alternate with footage of people in the streets of a flooded city and images showing the useful power of water.