The first feature of Lithuanian Valdas Navasaitis is a drama which unravels the hopeless 1970s, when people were deprived of their roots and forced to sit and watch their lives slip from their fingers. In a decrepit house that once belonged to a bourgeois family, several families seek shelter. Senis, a 65-year-old alcoholic, lives on the ground floor with his wife and their 16-year-old daughter. Senis is a survivor of the Nazis as well as the communist camps. He drowns the pain of his memories in a nearby pub and in talking to a depressed young laborer, Lorenca. Later on, a young couple and a lonely eccentric who enjoys only his cat's company join the inhabitants. Children wile away the time with useless games or spying on adults. When Lorenca hangs himself at the ruins of a nearby factory, the lives are shaken up. During the dinner held for the deceased, they find a moment of common hope.

Based on true story of four friends who decided to take over the city. Giedrius is released after serving a long 12 year sentence for unlawful conduct he did with his friends while being a child.

Based on the novel of the same name by Nikolai Cherginets. The film begins in the spring of 1941 and ends with the first months after the liberation of Belarus. In the center of the plot of the film – the story of three brothers Kuprevich. Police Lieutenant Alexei Kuprevich receives an appointment as an operative in one of the districts of Western Belarus. His task – to neutralize the rampant gang there "forest brothers". War begins. Alex and his brother, senior police Lieutenant Peter Kuprevich receive the first combat mission: to destroy the landed settlements under the German assault...

In the romantic drama film 'I Don't Remember Your Face,' a boy and a girl meet and fall in love. However, they both suffer from a condition that prevents them from remembering faces. Despite this challenge, they form a deep connection and try to navigate their relationship without relying on visual cues.

Having lost their jobs due to a Soviet takeover of Lithuanian Television in 1991, its employees declare a hunger strike in protest. Initial enthusiasm is slowly replaced by frustration about a single question – how long can they hold physical and emotional hunger?

The film focuses on the relationship between Casimir and the monk Justin. If the former is looking for answers to the questions of existence, the latter is sure that he has already comprehended all the mysteries. Ambitious and domineering, Justin believes that people should be kept in constant fear. Kazimir, on the other hand, strives for freedom of the spirit and comes to the conclusion that people pray to the wrong God and are therefore unhappy. These antipodes value each other in their own way. Justin, sending Casimir to the stake, loses the only person close to him. In his last moments, Kazimir does not hate Justin.