Genteel aristocrats and the terrible impasse erect in front of them their debts, forbidden loves and marriages interests, passions and conflicts.

Strangers find themselves trapped inside five elevators that break down. Tension rises. There is no communication; just angry men and women bringing the worst out of each other. This is hell in 4m².

A writer goes to his hometown, looking for the girl he was in love,when he was young.

Antonis Katsaris stars as a teacher in the small village of Zante who fights the growing desire of many locals to abandon the village for the big city or other countries. He works hard to organize traditional cultural events, such as outdoor performances of the traditional play I Chrissomalloussa, in order to solidify local values and a sense of identity. The teacher is aided by a young woman, a widow who has just returned from Germany and lives with her father-in-law. Kazan walks away with the film, as his sinister desires for his daughter-in-law are inflamed when he sees that she has fallen in love with the teacher. These developments lead him to whip up protests against the play by conservative locals, claiming that the teacher has changed the traditional story by adding elements of propaganda with the potential of causing peasant uprisings. The result is an unexpectedly violent example of social censorship.