When a war veteran turned bodyguard is hired to protect a wealthy heiress, they must work together to survive a deadly conspiracy that takes them from Casablanca to Morocco.

THE GOSPEL OF LUKE, more than any other, fits the category of ancient biography. Luke, as "narrator" of events, sees Jesus as the "Savior" of all people, always on the side of the needy and the deprived. Narrated in the NIV by British actor Richard E. Grant and in the KJV by Sir Derek Jacobi, this epic production featuring specially constructed sets and the authentic countryside of Morocco has been critically acclaimed by leading religious scholars as a unique and highly authentic telling of the Jesus story.

Three love stories whose protagonists are neglected people whose destinies intersect in unexpected ways.

Three women who are completely different from each other in the way of life, but they have a common point, which is the pathological need to make everyone around them taste suffering. These ladies enter the world of three families and make elaborate plans to steal their happiness and turn their lives upside down.

Zineb is a psychiatrist assigned to Rihana, a traumatized and pregnant young woman, who was raised as a son by her dictatorial father. Rihana's story awakens repressed thoughts in Zineb's own mind.

A dramatic retelling of the life of Jesus Christ according to the Gospel of Mark.

The biography of Abdel Salam Amer, the blind Moroccan musician who believed in his talent and composed immortal songs in the history of Moroccan song.

Five women from the great city of CASABLANCA, a source of economic, social, and civilizational progress. There are five divorced women from different social strata, and are professionally active in various fields. These women try to rebuild their lives, in an unequal society, dominated by prejudices against divorced women, and ignorance of the rules of law governing the status of women.

“Asmahane” recounts the story of a Lebanese girl who fled her country after losing her family to war, to become a belly dancer in Morocco, fitting in seamlessly into the north African country’s culture. The events take place in a scary Casablanca, where the main character, a Christian Lebanese woman, forges connections with Moroccans on her way to look for a better life.

Naïm, a renowned anthropologist, wants to make a film on beautiful Mririda, a Berber poet and courtesan who mesmerizes him. At the brothel where she used to go, Naïm is struck by the beauty, the sensuous tattoos of young prostitute Adjou. He immediately feels bound in his flesh and soul to Adjou, a kind of mirror image to Mririda. Adjou’s brutal murder triggers a police investigation. In his desperate search for truth, Naïm sways between a world of imagination and reality. Lazcen Zinoun is the conductor of a film composed like a five-movement opus framed by tribal rituals and practices like the mysterious, erotic tattooing of women. He sings the hymn of freedom for women to control their own bodies in a society still paralyzed by ancient codes. He films Fatym Layachi’s goddess-like body with the same poetry and lyricism as he does the sexual passion that enflames the lovers.

Hakim is an honest police officer deeply devoted to his daughter, finding great joy and happiness in her company. One day, his daughter is kidnapped. Hakim does everything in his power to find her, set her free, and bring her kidnappers to justice.