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Imperio de Cristal is a Mexican telenovela that aired on Televisa in 1994 with 124-episode from the plot to the main cast it was officially first launched on Monday, 29 August 1994 & ceased transmission on Friday, 17 February 1995 was aired runtime of 45-minutes with commercial on weekday at 21:00 to 22:00 CST/22:00 to 23:00 MST/23:00 to 00:00 PST.
A Mexican telenovela produced in 1996. It was the last historical telenovela produced by Televisa. The plot tells the Independence of Mexico, with an emphasis on historical accuracy.
A man's budding romance with a beautiful woman is sabotaged by his evil twin, but they get another chance at love when they're reunited years later.
Mexican telenovela starring Erika Buenfil and Eduardo Santamarina with the antagonic role of the star actress Claudia Islas. It was produced by Televisa. This telenovela contained 145 episodes and is a remake of Marcha nupcial.
Salomé is a Mexican Telenovela that aired from October 22, 2001 until May 17, 2002, and it's starred Edith González and Guy Ecker.
Laberintos de pasión is a Mexican telenovela produced by Televisa in 1999. Starring Leticia Calderon, Francisco Gattorno, César Évora, in addition to the participation of Manuel Ojeda, Monika Sanchez and Azela Robinson.
A young woman who is unlucky in love discovers that her own insecurities are holding her back from finding true happiness. With the help of her supportive friends and family, she embarks on a journey of self-discovery and learns to love herself.
In Deathstalker and the Warriors from Hell, Deathstalker leads a group of warriors on a quest to rescue the princess and retrieve a magical jewel from the evil wizard. Along the way, they encounter sword fights, magic spells, and face the ultimate battle of good versus evil.
Revoltoso is a stop-motion animation short film that depicts the events of the Mexican Revolution. It tells the story of a mischievous character and his adventures in the midst of the war.
Based on the novel Tomochic by Heriberto Frías; tells the story of the rebellion of the inhabitants of the village of Tomochi, Chihuahua, against the government of Porfirio Diaz in 1891. Mexico's submission for the Academy Award for Best Foreign Language Film in 1976.
Resigned for Reasons of Health is a gripping drama that delves into the sacrifice and corruption lurking in the world of politics. It follows the story of a cynical girl who attends a tense dinner party where her father-in-law must make a difficult decision that leads to his resignation from office.
Beyond Heritage follows a group of friends who set out on a thrilling adventure to discover their family heritage. Along the way, they encounter challenges, uncover secrets, and form stronger bonds. This heartwarming movie explores the themes of identity, friendship, and the importance of embracing one's roots.
Propped up on his deathbed, a 17th century Spanish missionary named Father Kino (Enrique Rocha) looks back on his remarkable life and relives one of his greatest challenges: bringing the teachings of Christianity to California's native population while convincing the Spanish military to respect the Indians' traditions.
Mexican feature film
Mingo, a kid whose father and brother have disappeared in shipwrecks, finds an amnesic man lying on the beach. Might he be St. Elmo?
Towards the end of the 16th century, the Spanish conquerors living in the New World faced a serious problem: the evangelization of the indigenous people, who did not understand or accept Christianity due to their unshakable faith in their own religion. The court of the Inquisition cracks down on heretics and the natives prepare for a general uprising ...
Two shareholder brothers close several factories due to economic problems, except for their chemical plants.
Aarón Hernán
His parents were José de la Luz Hernández and Amadita Rodríguez. He has a brother, Héctor Hernández. He was left fatherless, and his mother took him to Mexico City in 1956. He studied accounting, although his vocation was acting. He married Edith Sánchez, with whom he became the father of Aarón and Edith. He debuted as a theater actor in the 1950s, in the play Las manos sucias, by Jean-Paul Sartre, with the participation of Tere Velázquez, Carlos Bracho and Sergio Barrios. Once settled in Mexico City, he entered the Instituto Cinematográfico, Teatral y Radio-Televisión, of the Asociación Nacional de Actores (ANDA), directed by Andrés Soler. In 1958, he participated in another festival, with the ICT's Moncell group, where he starred in El gesticulador, a play by Rodolfo Usigli. He made his film debut in 1965 with Viento negro, as a supporting actor. After participating in the play Moby Dick, he was called by Ernesto Alonso to work in television. He made his television debut in the soap opera La mentira (1965), with Julissa, Enrique Lizalde and Fanny Cano. He worked in the theatrical company of the Mexican Social Security Institute. Aarón Hernán served as Secretary of Internal and External Affairs and Treasury of the National Actors Association (ANDA) on several occasions and served as General Secretary from 1998 to 2002. In his last year of life, his children wanted to declare him legally incompetent to administer his assets, so he had to defend himself legally and moved to La Casa del Actor, ANDA's retirement home. There he had a fall that caused him to fracture his femur. Complications following surgery caused a lethal myocardial infarction.
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