Max is hitting puberty, and foxy Ofelia from class has touched his heart. He now plans to spend Christmas break with her or, at the very least, New Year's Eve. Watching her little boy grow up, his mother Agnete doesn't know what leg to stand on. Trying to give Max the best Christmas possible, she makes a mess of things, as usual. With his friends, Hassan and Ester, Max eventually tamps down the chaos and throws a super New Year's Eve bash. Everyone is there, and Ester seizes the moment to hook up with Max ahead of Ofelia.

Max has finished school and is becoming an adult. He is on his way to find a life outside his mother's overprotective wings. When he meets Kaya, she gives him the final push to become independent and finally to move out. He moves over to his father but ends up as a lodger at the neighbour Steen Kold. Max would like to go to the Roskilde Festival with Kaya and gets help with the tickets from Steen Kold who is also coming along. Mom is afraid of what will happen to Max, so she decides to follow him and Steen Kold. This leads to many poignant and incredibly embarrassing episodes deeply rooted in her great love for her son, but also in her desire to still be in the centre of his attention.

An amusing coming of age tale from Lotte Svendsen's Max-universe. Now 14, Max is about to decide on an internship and is finding it difficult to choose. He settles, against his mother's wishes, for a bank internship. But mother Agnethe, still quite embarrassing, takes action and enrols Max in a free spirited camp for the sake of his soul's salvation. Meanwhile his lovelife is hanging by a thread; Esther seems less and less interested in him even though he is making an effort to win her over. The Max universe is based on a perpetual idea that children are afraid to appear embarrassed as they evolve into maturity. Likewise, it seems that their parents also become embarrassed when they make attempts to protect their children or express their love for them.